Richly detailed and deeply respectful of its subject, Neighborhood Craftsmen: Stories from Kanda’s Gokura-chou, Vol. 1 isn’t just a manga, it’s a living gallery of Edo-period artistry.
A Manga That Celebrates the Art of Craftsmanship
Neighborhood Craftsmen: Stories from Kanda’s Gokura-chou, vol. 1 by Akihito Sakaue is an incredibly unique manga in which they explore the importance of craftsmen in the Edo period, Japan. 1615-1868 was an epoch of economic growth and urbanisation, and thus came an upsurge of craftsmanship. Neighborhood Craftsmen is a homage to these talented townsfolk and the drive and dedication, whilst diversifying the facts creatively, by having skilled female craftsmen, who perhaps would not have had the opportunity in the Edo period, making this manga an alluring and openminded piece of artwork in and of itself, whilst also opening a discussion that is still culturally relevant today regarding women in the workplace, the male view of women in positions of authority and the question of capability.
Incredible Artwork Worthy of its own Gallery
I wouldn’t normally jump straight to the artwork, but in this case, I have to. The artwork in this manga is incredible. In its own right, a piece of art. The attention to detail, not only in execution but in the narration of the crafts, it is some of the best artwork I’ve seen in a manga. The artist is extraordinarily talented and therefore not only was it an intriguing read but the visual storytelling was perfect.
Seven Stories, One Rich Tapestry
The narrative is split into seven chapters. The first four chapters explore the Cooper, the Swordsmith, the Indigo Dyer, and the Tatami Weaver. Each have their own contained story of importance in their ‘neighborhood’. The main characters are interesting and not over written or sensationalised. Many are female. The characters were well defined, their personalities vivid and compelling from the start. Not to mention, beautifully rendered.
The first four episodes set up the three-chapter finale dedicated to the Plasterer. As expected, the story is more detailed, exploring multiple characters more in depth. Each of the characters the narrative focuses on are unique in their own ways. The boss of the plasterers is a woman who questions her ability to manage male plasterers, whilst at the same time having a high expectation of herself. The yakuza plasterer who beats up anyone who is less able than he is, and the wanderer who is kind, patient, extremely talented and provides direction for the boss and an apprentice.
World-Building Through Craft
The world building was minimal but also enough. You have the information you need to know, but ultimately these are little character studies in context of their work. It is the visual storytelling that helps engulf you in the world, in this town. The dialogue allows you to understand the people and their ambitions, their tribulations, and their character, the visuals build the town where you are a visitor.
Translation Notes – Mostly Invisible, With One Slip
The writing I can only comment from a translation point of view. Most of this was what I refer to as invisible text. It is text that tells you what you need to know to follow the story. It doesn’t stand out for the wrong reasons, except for once. In the chapter for the Tatami Weaver, the phrase ‘chew me out’ was used to describe the fear of being called out or reprimanded, which I would hope that the original author didn’t employ:
“The guys are going to chew me out if I can’t make good time going around repairing your mats.”
Why This Manga is Worth Reading
Despite not being the action-packed manga that many internationally recognised manga are, this story is intriguing and beautifully put together, and worth the ownership. I was lucky enough to get a digital ARC (advanced reader copy) of the translated copy, thanks to Yen Press and Edelweiss Publishing.
I thoroughly enjoyed this and recommend it to any avid manga reader, especially if they have an interest in Japanese history or culture.
Playlist Companion
Setting the Scene – Opening of the Workshop
(Copper & Swordsmith – tradition, pride, precisin)
- Joe Hisaishi – One Summer’s Day (Spirited Away) – Gentle, flowing introduction to Edo life, like walking the streets at dawn.
- Yoshida Brothers – Storm – A burst of energy mirroring the bustle and precision of master craftsmen at work.
Craft in Motion & Dedication
(Indigo Dyer & Tatami Weaver – meticulous, repetitive, beautiful)
- Ryuichi Sakamoto – Aqua – Smooth, meditative flow capturing the patience of the Indigo Dyer.
- Joe Hisaishi – The Legend of Ashitaka Theme – Heroic yet humble, echoing the quiet pride of the Swordsmith.
Challenges & Pride – The Plasterer’s Story
(conflict, doubt, camaraderie, resilience)
- Joe Hisaishi – The Wind Forest (My Neighbor Totoro) – Playful resilience and community spirit, as seen in the Cooper’s tale.
- Yoshida Brothers – Kodo (Inside the Sun Remix) – A modern twist for age-old skill, matching the Tatami Weaver’s drive.
- Ryuichi Sakamoto – Merry Christmas Mr. Lawrence – Melancholic grace for the self-doubt of the Plasterer’s boss.
Closing Reflections
(resolution, respect, quiet mastery)
- Masayoshi Fujita – Snowstorm – Sparse and shimmering, like plaster dust in the fading light.
- Joe Hisaishi – Ashitaka and San (Princess Mononoke) – Partnership and trust, between mentor and apprentice.
- Yoshida Brothers – Ibuki – Triumphant closure, a nod to the enduring spirit of craft.
Title: Neighborhood Craftsmen: Stories from Kanda’s Gokura-Chou, Vol. 1
Author: Akihito Sakaue
Genre: Manga/Historical Fiction
Publisher: Yen Press
Edition Publication Date: 14 Aug 2025